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TIME: Almanac 1995
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<text id=93TT2307>
<title>
Jan. 18, 1993: Reviews:Short Takes
</title>
<history>
TIME--The Weekly Newsmagazine--1993
Jan. 18, 1993 Fighting Back: Spouse Abuse
</history>
<article>
<source>Time Magazine</source>
<hdr>
REVIEWS, Page 65
Short Takes
</hdr>
<body>
<p>TELEVISION
</p>
<p> Return to Lynchville
</p>
<p> Has TV domesticated David Lynch? It was looking bad for a
while. After giving the medium a jolt with Twin Peaks, he let
the series run too long on circuit overload. His next show, On
the Air, was a heavy-handed TV satire just slightly to the left
of WKRP in Cincinnati. But the old, weird Lynch is back in HOTEL
ROOM, an HBO trilogy of stories, two of them directed by Lynch
from scripts by Barry Gifford. A hooker (Glenne Headly) is
caught in a psychological sparring match between a seedy
customer and his mysterious friend; a husband (Crispin Glover)
tries to rescue his bereaved wife from madness during a power
blackout. The dialogue has the evocative spareness of Pinter,
and Lynch's control of mood--menacing, mesmerizing--has
never been more sure.
</p>
<p> CINEMA
</p>
<p> Fight to the Finnish
</p>
<p> Finland's most distinguished writer-director is named Aki
Kaurismaki. That statement is true and probably funny--like
his THE MATCH FACTORY GIRL, a comedy so dark that some viewers
take it for tragedy. This sly parable starts with a brisk
documentary on the transformation of a stick of wood in a box
of matches, then spends the rest of its 70 minutes on the
transformation of Iris (Kati Outinen), the stolid young woman
on the assembly line, into a keg of emotional dynamite.
Kaurismaki's almost-silent movie features a cast of rats--mother, stepfather, brutal beau--for whom rat poison may be
the best antidote. And for U.S. viewers, Match Factory is a
splendid introduction to a world-class (no joke) filmmaker, with
a wit as dry as kindling.
</p>
<p> BOOKS
</p>
<p> Great Speculations
</p>
<p> What would happen if you could ride on a light beam?
Albert Einstein posed himself that playful question; his answer
was the special theory of relativity, which utterly changed how
scientists see time and space. Writers have tried to explain
relativity ever since, but Alan Lightman, who teaches physics
and writing at M.I.T., has an entirely new approach. EINSTEIN'S
DREAMS (Pantheon, $17) is a novel, an impressionistic look at
thoughts the great physicist might have had while concocting his
theory. We are privy to musings about worlds where time runs
backward or branches into diverging streams. The writing,
beautifully simple, conveys better than most texts the
strangeness of Einstein's ideas.
</p>
<p> MUSIC
</p>
<p> Passion Play In Three Acts
</p>
<p> Extreme has found a larger following beyond the MTV set
with acoustic rhythms and four-part harmonies that downplayed
its heavy-metal heritage. Now that fans are hooked, though, the
group is upping the dosage of metallica. Its latest album, III
Sides to Every Story (A&M), not only reminds listeners that
guitarist Nuno Bettencourt is a mean riffer but also harks back
to the roots of rock opera, taking on epic proportions in the
process. Divided into three acts, the album is full of social
commentary denouncing war in cynical, hard-cutting tracks. One
standout: the haunting Rest in Peace, which knocks flower-child
cliches such as "Give peace a chance" and "Make love not war" as
hypocritical euphemisms.
</p>
<p> MUSIC
</p>
<p> Female Fare
</p>
<p> Politically, 1992 may have been The Year of the Woman, but
musically we're still in the era of the Dead White Male. Which
is why the Bay Area-based WOMEN'S PHILHARMONIC, an all-female
ensemble conducted by Jo Ann Falletta, is important in our
collective consciousness-raising. On an eponymous new CD (Koch
Classics), the group unearths a splendid Overture by Fanny
Mendelssohn Hensel (Felix's sister). But the real pleasures are
in the Concertino for Harp and Orchestra by Germaine
Tailleferre, perhaps the least known of Les Six, and in two
pieces by Lili Boulanger, Nadia's sister. Boulanger's D'un Soir
Triste, 12 minutes of heartbreaking pathos, ought to be in every
man's repertoire.
</p>
</body>
</article>
</text>